Battle Tips for Conventions and Conferences!

 

I love conferences and conventions (yes they're different) and consider them a part of my writing life. Sometimes I can't wait to get to them and sometimes I dread every second leading up until I actually walk in the door. Knowing what to do/why you're at these events can make the difference between having a great time and being miserable the entire time you're there.

So get your battle gear on and let's prep for heading into the throngs of people at your next convention!

 

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Give More Of A Damn

So on Monday I talked about the importance of not giving a damn. Today I'm jumping to the opposite side of that argument and telling you to give more of a damn. The truth of the matter is I've gotten lazy in a lot of things lately because I've gotten so caught up in not caring so much. The problem with that is that caring is important in putting out a good product (and I mean generally in life). I've made stupid typos, not reviewed work for errors, and generally not cared about the proper layout of the English language. (I still stand firm in my internet speech of deliberately mess-ups like 'It are me.')

So where does that leave me? Well, it leaves me embarassed when I get called out on careless errors, and regretting not reading over an essay before submitting it. No one will ever care about your work as much as you do. You are the champion of your work and if you don't care enough to read it 300 times until you can nearly recite it from memory, who will? 

One of the biggest wake up calls for me was when I got the finall layout proof for The Bone Queen versus The Pulptress. My first thought was 'Meh, I'm sure it's fine.' and I nearly just sent it back without even looking over it. I know, I know. I want to slap past me too for even thinking that. But, I forced myself to sit down and read over every damn page, and you know what I found? A section where the layout person's cat had walked across the keyboard and left a string of gibberish in the middle of the page. 

If I hadn't cared enough to read over the proofs, would that have been caught before print? The truth is I don't know. My publisher did an amazing job with edits, but a publisher is handling more than just your book. They're having to care about a lot of books. You only have to care about yours, and that means you care more than anyone else. It was a massive wakeup call for me. 

I'm still working on it. I want to write my first draft, do one round of edits and call it done. That doesn't fly for me. (I'm sure there is someone out there that does work for and good on you.) Now, I'm spending a lot of time on outlines then starting a first draft. I'm going to take my time, go at a speed that works for me, and edit, edit, edit before a second set of eyes even sees it. 

It's easy to get lazy. You wrote the words, why on earth do you then have to spend months staring at them more? Because you need to care enough to take that time to sculpt those words into the best shape they can be. You need to care about your project more than anyone else ever will because it's yours. At the end of the day it's your name, your reputation, and your words on the line, no one else's. 

So don't give a damn when you're getting started but you sure better slow down and care a whole lot once that end comes into sight. 

Don't Give A Damn

Writing is a lot of ignoring everything else around you. You ignore the lure of the television, video games, and even time with friends or family for the chance to get those words down. That's a struggle but what tends to always freeze me is when I start caring way too much about what I'm writing. I can't progress the story because I'm hung up on what color my main character's eyes should be. When I start getting too caught up in the little details, I have to remind myself, all of this is going to change anyways. 

When you're first drafting, it's okay for the character to go from green to grey eyes in the span of a chapter. Stop giving so much of a damn about your words that you get paralyzed and write nothing. 

It's easy to feel like every detail and word you write is worth stressing over, but if you spend your entire life writing the same page over and over again then you've not really accomplished anything. If your goal is to get your words out into the world you have to stop giving so much of a damn about them and just worry about getting them done. It can be liberating to let go of the worry and just write. 

Lately I've gotten hung up on worrying about if what I'm writing will ever sell. What if no one wants to read this? What if no one cares? I worry and think about that so much I get nothing writte and instead I just circle the drain of self-pity and wallow in a gallon of ice cream. What I've had to remember is that while thinking about market and sales is important, you have to remember what you're passionate about and write that story. Sitting paralyzed because you're too concerned you're never going to sell anything doesn't help either. 

Maybe the market isn't supporting your paranormal romance right now but write it. If it doesn't sell, put it in a drawer and move on to the next project. Trying to write to the market is like letting a blind, drunk elephant guide you through the plains. You're going to end up lost in the grass and eaten. 

Writing's a strange mix between having to care deeply, and having to not care. There are points in the process where caring is more important, so here I'm talking specifically about getting down your first draft and organizing your thoughts. You need to let go of the idea of the perfect, just-right-for-the-market, flawless story that exists in your head and start writing it. There's no shame in writing an awful first draft and then taking the time to carve out the story in your mind, but without that first block of clay there's nothing to even sculpt.

That image of the story that exists in your head can never reach this world if you keep it locked up because you're too afraid to make it. 

The quote I've found that almost always keeps my butt into creating is the incredibly popular quote from Ira Glass on creativity: "Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Starting out it's painful to realize that what you have in your head is not going to be as awesome as what you like, and what you see. You have to keep going, not give so much of a damn and get through all the crap to find the diamond buried in your own work.

5 Ways to Not Be A Lonely Writer

Writing is known for being a solitary pursuit. While there are writer’s groups and ways to create a network around writing, the work itself has to be done alone. Chatting with friends cuts into writing time. It’s easy for a write to tumble into THE ANTI-SOCIAL BUBBLE aka the thunder dome where no one makes eye-contact or speaks. It’s even easier when the creative life takes a nosedive and depression crawls in.

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Writing Resources

Writing can be an incredibly isolating and challenging task. It's hard to find help, and sometimes it's hard to even know where to look to find help. Sometimes, it's hard to even know what's good resource versus a bad one, and sometimes you don't even know what you don't know to even ask about! That last one seems to be the story of my life.
So, here I've compiled some of my favorite resources that I use on a regular basis and I think would be helpful for writers all along their journey, whether you're just starting out, published, lost, or just curious. 

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2015 in Review

2015 has been a strange, but successful year. This year I've written just under 300,000 words. I finished three novel drafts, two short stories, and a lot of rambling to myself. 90,000 words were all written during this year's NaNoWriMo. All in all, I know I could have written more words this year, but life happened. I bought a house, lost several friends and made some big changes to better help steer me towards the future I want. I'm not disappointed in this year, but I am excited about next year. I know what I want to write. I know what I want to do and now I get the chance to actually make a move on those goals. If 2015 was my year of planning than 2016 is my year of action and I am so ready for it. 

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Writing Realities

When I was in high school, I would fantasize about what my life would be like when I became a real writer. I'd have a fancy house and a live in chef so I could just write all day. Everything would be great and I'd have tons of free time to do anything else I wanted to. It'd be perfect. Now I want to throttle high school me for ever even thinking that. 

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Pitching!

Until very recently the idea of pitching an agent or an editor face to face was among the most terrifying things that could ever happen to me. I got flustered when readers asked me what my book was about let alone when I had to tell an agent or editor what my book is about. Talk about a freak out inducing moment. 

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Celebrate then Evaluate

Now that you've had a little more time to celebrate your Nanowrimo victory (or any other completion), now comes the time to step back and decide your next move.If you're at a total loss on what to do with your first draft then I'd tuck it into a drawer and move onto another project for a month or more. Some space between you and the manuscript will help you better see it for its flaws when you pick it up again. It's okay for it to not be perfect. More than likely it's a long way from perfect and will require a lot of work to get to the submittable stage. 
 

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